Cubase 6 features a newly developed tempo detection algorithm, which accurately and semi-automatically determines the tempo of any rhythmic audio material. This makes it easy to determine the tempo of a drum performance that has not been recorded to a metronome. The resulting tempo map can be used for to keep the dynamic feeling of natural tempo variations or to remove unwanted tempo changes quickly. Whatever rhythm is at hand, Cubase 6 will detect the tempo and match the track to a beat grid of your choice. In Cubase 6 rhythmic audio material can be quantized just like any MIDI material, offering numerous possibilities to fix timing issues and to change the groove of live-recorded drums. To preserve phase relationships between tracks, the individual slices on all tracks are still grouped and moved at once.

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Cubase automatically creates cross-fades between slices to ensure seamless transitions between them and fill gaps that might be introduced during quantization. Sinevibes drift feat. korg minilogue (free download for mac. A few clicks, and all drum tracks are matched to the bass drum, snare or whatever source or sources are desired. With the Slice Rules you can decide which sources will get a higher priority during slicing.

The new Track Edit Groups tool refines the work with multitrack recordings in Cubase. This new function allows multitrack editing with single-click actions. Whether it is guitar, bass or ambient recording, professional sound engineers mix several signals to get the best results.

When recording a guitar for example, it is common to record signals from different amps or microphone types on separate tracks. With Track Edit Groups activated, related tracks are tied together and can be edited at once, making this new feature a huge time-saver.